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Cavewoman has always had a not-entirely professional quality to it. The weakness in the art becomes apparent whenever the story (a distillation of just about every B-movie cliché imaginable) wanders from what creator Bud Root clearly thinks of as “the good parts” — the barely dressed Meriem and King Kong look-alike Klyde. They’re always lovingly depicted, but less-important cast members tend to look like Mort Drucker caricatures.